The Rebranding Of Photography As Contemporary Art

Changing places: The rebranding of Photography as contemporary art By Alexandra Moschovi. The texts explains the discrimination of art in the museums in the 1980’s with this exploring how photography has become a title of contemporary art. This was suggested early on in the text that photography wasn’t a form of art and this was frowned upon with this being not up to the same standards as Painting and sculpture which were presented within the art galleries. My opinion of the text was that it was very hard to engage with the text being very hard to understand and intrigue with. Alexandra Moschovi shows a clear view into photography and the evolution within the last couple of decades.

Following on from this the text goes into great detail and discussion within the art form of photography and why it was so frown upon.  An example of this was a quote that states “In the late 1980’s the museums of modern art in New York, Photographers work would be kept separately to photographers works produced by artists” An quote which intrigued me throughout the text states “Apart from its contested role as representation, what was equally significant in photography becoming a privileged medium in conceptual practice was the fact that it was not fully-legitimized as high art but still retained its functionality and status as commodity rooted in the ‘middle-brow’ vernacular. I understand briefly about where these opinions could have spiralled from with paintings being a piece which cannot be copied whereas photography can be copied and edited upon again. The text starts to highlight key discriminations towards photographer and how this much frown upon, knowing this though. I definitely class photography a strong art form as another other type of art. The text goes on to tell us how this ‘law of Genre’ was shifted by “an emerging generation of artists who would dispense with the modernist idea of the medium”. Although understandably the emergence of photography must’ve been vastly different in comparison to historical fine art. I don’t believe this quote at all with photographers being able to create a piece which can show emotion, a story behind it or expressing themselves or a politic message which can also be done with a painting as well or sculpture with photography being in the same category as in this in my opinion.

For the sixties generation, art photography remained too comfortably rooted in the pictorial traditions of modern art. However many people finally saw photography’s potential with this being used for many things such as fashion, stop motion and documentary photograph. The sudden change in society and up rise of technology played a big role in photography being considered an art form and eventually resulting in photography having a place in museums.  I found the text very intriguing and interesting however was very difficult to follow in many places with the text being very confusing in some places and frustrating not to be able to understand what the writer had meant about the following information. However in many places I was very intrigued with a debate going through the piece of writing, trying to understand both parts of the debate.

Robert Adams “Beauty In Photography”

Robert Adams “Beauty in Photography” The second chapter of Robert Adams’ Beauty in Photography looks at beauty at a number of angles and tries to explain in depth what this term can mean by giving certain definitions and examples within the text. The text also discusses the themes of aesthetics and form and what makes an image truly beautiful. Form creates beauty. Robert Adams contrasts the relationship between beauty and art with the artist addressing his thoughts and opinions thought out the chapter. One of the most memorable quotes within the texts of beauty states by Alfred Stieglitz: ‘Beauty is the universal seen’. This can explain that almost everything can be beautiful to a certain person with this being very intriguing and interesting in my opinion. Within the last part of the text it indicates that “Beauty is in the eye of the beholder” with this stating that every person is different with this allowing both the photographer and viewer to have their own opinions on the subject matter and form of the image. An example of this could be a famous photograph from the photographer Edward Weston ‘Pepper No. 30’ with this showing beauty, form and tone from a simple bell pepper which has been shot in front of a white and black background.

Adam mentions that photography is an imitation of form and how the simplistic of images can be beautiful Robert Adams states that he has “Since learned, however that the word beauty is in practice unavoidable. Its very centrality accounts, in fact for decision to photography with the word beauty seemed the only appropriate word for it” I could relate to this quote because with so many times I have studied a painting or a photograph and have been lost for words but then had realised that the word was just ‘Beauty’ Adams struggles to find an appropriate word to describe certain painting and photographs with a quote stating in the text ‘That opened my eyes’ with this being that beauty is stuck to the theme of the photographs. Robert Adams Cap’s Spain, 1936 death of a Republican solder in the Spanish Civil War photographs opened my views on the term ‘Beauty’ with these images being very disturbing in my opinion but Robert Adams has classed these as beautiful which by reading the text and understanding his point of view I cannot necessary agree but I can understand where the photographer is coming from.